past personal projects:

AI MEDITATIONS TO CONSCIOUSNESS ASCENSION (2025)
Youtube videos on eastern philosophy, hermeticism, and mindful awareness.

CERTIFIED SOUND THERAPIST (2025)
I am a certified sound therapist with Life Changing Energy. I focus on vibrational and sound therapy techniques found in Eastern Philosophy to help alleviate PTSD symptoms; this practice is combined with inner child healing and shadow work for a holistic healing practice.

THE EMERGENCE OF BLACKENED TEETH IN SUNG PERIOD CHINESE MARITIME TRADE (2022)
Independent research paper on maritime trade in 14th Century China

TRAIN PHOTOGRAPHY (2022-2024)
Archive of Trains in the North East.

CHOPSUEY PAINTINGS (2020-2022)
A painting project that began during Covid-19. in the lineage of Anarchist Art, I used commodified form (Betty Boop, etc) to express an awakening in the surrounding environment. Later phases of the project emerged as an investigation the glazing technique where forms emerged from a field similar to Stable Diffusion utilized in AI. I successfully sold over twenty (20) paintings.

'MENTAL WELLNESS' BY GEORGE ORWELL (2021)
A podcast created through collage of found audio snippets. Ode to Joe Frank, George Orwell, and Orson Wells

ACRYLIC NAILS (2020)
To make an appointment, please email me at katherynbajo@gmail.com

BAJOGOODS.COM (2020)
Sole proprietorship of alternative health products

DEMANDING DIRECT DEMOCRACY (2015-2020)
A pamphlet for printing and distributin
g

CROSS-TRIBAL CURRICULUM (2015-2020)
A live document to be edited by the community

COUSIN LITERATURE MEMES (2015-2026)

Personal library of memes, digital art, and NFTs

COUSIN LIT MAG ARCHIVE (2013-2018)

Post-structuralist analysis and critique of American hip-hop (2010s) by way of concrete and visual poetry

SCHIZOPHRENIC MEMORY OF CHINATOWN (2013)
Postmodern analysis of the “Secretary of Interior’s Standards of Historic Preservation,” which emphasizes preserving the façade, or the image, of a building

ITS MY BIRTHDAY WHERES THE CAKE, the ebook (2012)
Analysis and critique of the commodification of cultural vernacular